What do I need to add to my home recording studio? - valve mic
I want a good audio recording settings, but I need help. Until now I have a Mbox 2 (non-package plant), a Samson C-Valve microphone / instrument preamplifier with a condenser microphone, MXL 2006, and an M-Audio Axiom 49 MIDI controller. What is important for an even better taste in this environment? In addition, a TC M350 multi-effects processor is a good add to my collection?
Friday, January 22, 2010
Valve Mic What Do I Need To Add To My Home Recording Studio?
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Okay, I'm Dude something very important to the mixer 31 and dual analog EQ. You can go to the console, because you can use the Mbox and preamp, but you might consider. A dual-31-EQ is needed in a recording studio mix. You can use a similar or a plug-in-One - http://www.americanmusical.com/item--iB ...
ReplyDeleteAnd after you take the CD is finished, you want someone who is a teacher Finish That way you can double the quality of your sound and so you look like the songs on the radio. Have someone at your local music store a finisher who can finish their CD to about $ 200 $ 100 t0 have. CT or electron wave mastering software
http://www.americanmusical.com/sort--sb ...
If you can convince someone to love, as you say, $ 100 - $ 200 can be better, because the waves mastering software is expensive - http://www.americanmusical.com/sort.aspx ...
Compress, how to make a plug-in - Compression software is much better than analog compression.
Good quality EQ and compressor. You do not need a 31-band equalizer - I spent 15 years in recording studios and mixed hundreds of records and never had a 31st A good stereo equalizer is good for 2-mix, but a 5-band parametric is everything you need - you can calm both sides for the registration.
ReplyDeleteThe plug-in stuff is very good, but I'm always one against external compressor and EQ (if needed) for registration. A plug-in LA2A does not sound as good as a analogue LA2A well cared for, but it is quite good and much cheaper.
I would definitely get a pair of microphones, but at first. It makes no difference that the team later in the string, if not capture the sound you want first. I would like an SM57 to add, expand, and maybe even a ribbon microphones from China to their sonic palette - they are surprisingly good, but fragile. Nady has a number of them. ANSR / Special projects will be in the padded case, sold. The mods are simple and make a real difference.
http://www.ansraudio.com/ribbonmics.html
http://oktavamod.com/ribbon.html
A 'matching' MXL also be useful (drum overheads, room mics, any stereo recording).
Good quality EQ and compressor. You do not need a 31-band equalizer - I spent 15 years in recording studios and mixed hundreds of records and never had a 31st A good stereo equalizer is good for 2-mix, but a 5-band parametric is everything you need - you can calm both sides for the registration.
ReplyDeleteThe plug-in stuff is very good, but I'm always one against external compressor and EQ (if needed) for registration. A plug-in LA2A does not sound as good as a analogue LA2A well cared for, but it is quite good and much cheaper.
I would definitely get a pair of microphones, but at first. It makes no difference that the team later in the string, if not capture the sound you want first. I would like an SM57 to add, expand, and maybe even a ribbon microphones from China to their sonic palette - they are surprisingly good, but fragile. Nady has a number of them. ANSR / Special projects will be in the padded case, sold. The mods are simple and make a real difference.
http://www.ansraudio.com/ribbonmics.html
http://oktavamod.com/ribbon.html
A 'matching' MXL also be useful (drum overheads, room mics, any stereo recording).
Get a mixer, n compressors, MICS
ReplyDelete